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david wondered at the artists of the day portraying dancers, loie fuller, josephine baker, in so much artwork. so what else is new? these are the superstars, the sex-goddesses. it was always thus. and here we are again with sarah bernhardt. and courtesans, the more combs and layers the better. whom other do we have without tv and rock videos?
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some fascinating differences that i noticed, though. it was difficult to find any image of sarah bernhardt without her head held high. pride? arrogance? i think we'd probably be surprised to find her bowed.
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but we find the geisha, the bijin, the courtesan-poets almost no other way.
beautiful woman in the west stands tall and smiles. beautiful woman in the east does neither. does this legacy hold? i doubt it. but this is what the artists recorded for several centuries in japan. it's hard for me to see it except through western eyes. what does it mean?
Labels: Chikanobu Toyohara, comment, fashion, Kunichika Toyohara, paul berthon, Utamaro Kitagawa, women
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hi, and thanks so much for stopping by. i spend all too much time thinking my own thoughts about this stuff, so please tell me yours. i thrive on the exchange!
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