tender buttons
BUTTON
It likes both to enterand to leave,
actions it seems to feel as a kind of hide-and-seek.
It knows nothing of
what the cloth believes
of its magus-like powers.
It likes the caress of two fingersagainst its slightly
thickened edges.
It likes the scent and heat
of the proximate body.
The exhilaration of the washing
is its wild pleasure.
Amoralist, sensualist, dependent of cotton thread,its sleep is curled like a cat to a patch of sun,
calico and round.
Its understanding is the understanding
of honey and jasmine, of letting what happens come.
of honey and jasmine, of letting what happens come.
A button envies noneighboring button,
no snap, no knot, no polyester-braided toggle.
It rests on its red-checked shirt
in serene disregard.

Nor do old dreams of passion
disturb it,
though once it wandered the
ten thousand grasses
with the musk-fragrance
caught in its nostrils;
though once it followed—it did, I tell you—that wind for miles.
Jane Hirshfield
Satsuma-ware is classified in the "ceramics" category, that is, products made of fired clay. The original techniques were actually Korean, but after Japan’s invasion of Korea in 1598, Shimaza Yoshiro, lord of the Satsuma Province, brought back Korean artisans for the purpose of developing his own ceramic industry. Manufacture was continuous until the 1960s, with the secrets of the craft passed from generation to generation. However, the artisans became fewer, and their children moved away or lost interest in maintaining the family traditions, until the art became extinct.
Since the Japanese wore no buttons, none were made until export trade with the West was established. This occurred by treaty in 1868, fifteen years after Admiral Perry was allowed to anchor his ship in Tokyo harbor and begin negotiations. Japanese ceramics became popularized at the Vienna Exposition in 1873, and it was probably not until this time or shortly thereafter that the first Satsuma buttons were made. In fact, many were probably made not in Satsuma Province, but in Kyoto, from whence they were sent to Tokyo for hand-decorating and export. 1
(note: since i regularly decide to make-over some piece of clothing by replacing the buttons, it was time for a visit to the button shop -- see here and here and here and here. i found the top two buttons, the dragonfly and the geisha, photographed them, and came home to google their story. i did not find those stories -- though there were some similar to the dragonfly -- but i sure learned a lot about buttons.)
MORE RESOURCES:the british button society
bowerbirdz
webshells competition buttons
bead-fx
& lots of ebay: here and here and many more.
Labels: buttons, jane hirshfield, poetry, satsuma


