the panama-pacific, that is! • part 4

just gaze for a moment at this spot which really existed for a few short months, about a hundred years ago, as its city still reeled from its earthquake and fire, and while the rest of the world warred on.can you imagine? wonderland indeed.
you've come to see the murals and the french painters, and now see the statues. there are more statues at this fair than you can look at in a week and a half, and that is just the beginning.
you can see the bathing beauties,
or maybe, after visiting the national parks, and then japan, you decide to visit hawaii, as you've just heard hawiian music for the first time and you couldn't keep your those hips from swingin' to one of the many new songs introduced at the fair (even irving berlin had one) that then went on to make it big all over the world.
but the palace of fine arts keeps drawing you; you see some japonisme,
you love being introduced to tonalism and now that you have spent more than a week in san francisco with it's cover of fog all day, even in the summertime!, you understand why the tonalists use such muted colors.
and since you loved her husband's mural, you are thrilled to learn his wife's a painter too.
and what they did show was usually without color and sometimes even appeared to have travelled back in time while the rest of the world moved forward. were the american judges classically trained and old-fashioned?why were so few of the prints and paintings so far less colorful and free as the murals. certainly not that guerin guy.
and yet, is there any way to say that this has not been a dream with sincere magic? has not your heart been lifted and your mind eased and entertained?Labels: arthur atkins, helen hyde, hula, john philip sousa, Jules Guerin, lucia mathews, pedro de lemos, ppie, robert reid






