by any other name
william merritt chase called them 'japanese umbrellas'; his tenth-street studio was known to always have some around.
kent seavey, of the heritage society of pacific grove, calls them that too. 1
in fact, pretty much everyone called them that, and most of them painted them too.
(the grandma of them all may be friseke's garden umbrella.)
everyone, that is, but the japanese.
in japan, the umbrellas were only minimally decorated. if at all. (except maybe in versions by westerners.)
they might be colored, but they were otherwise plain.
friseke painted them several more times, often, like this one, painted in giverny."Careful examination of the choices the artist Frederick Frieseke made when depicting women as subjects reveals information about the artist, these women and attitudes toward women during the early 20th century. Consider the women in Frieseke's painting as both subjects and symbols.
Why do you think Frederick Frieseke chose this setting for his painting? The work depicts his wife, Sarah O'Bryan, and a companion enjoying a bit of leisure time in the Frieseke's garden. Frieseke often painted his wife set within the confines of her lush garden or intimate bedroom. In these feminine spaces, Frieseke was able to concentrate on the decorative qualities of nature, as well as the human figure.
How did the artist convey a feminine feeling, beyond setting his female figures in a garden? Frieseke's repetition of rounded forms, such as the chair backs and umbrella, echoes the soft forms of the female figures. Additionally, the repeated use of patterns in the Asian designs on the umbrella and the background flowers, the female subject and the natural setting suggest Frieseke was aware of 19th-century Japanese prints, which bear many of the same characteristics and were very popular among French and American art collectors at the time." 2
and he clearly wasn't the only one. consider this beauty from jean's blog. i loved this piece so went off on research, and found a very interesting thing.

miller's was first, and is much better. i think jean found his best.
there are others, but i think i'll leave it at that. for now. in recreating a bit of this wondrous new east they instead created an illusion.
they may have been created in the east, but they were make for the west alone.
Labels: beach, Eisen Ikeda, frederick frieseke, guy rose, karl albert buehr, lillian burk meeser, meeser, richard miller, toshi yoshida, urgelles, william merritt chase
