be of good cheer
CHEER
Like the waxwings in the juniper,
a dozen at a time, divid- ed, paired,
passing the berries back and forth, and by night- fall, wobb- ling, piping, wounded with joy.
It's called wing-rowing, the wing- burdened arms unbending, yielding, striking a balance,
walking the white
invisible line drawn
just ahead in the air,
first sign the slur,
It's called side-step, head- forward, raised- crown, flap-
and-glide- flight aggression, though courtship is
the object, affection the compulsion,
love the overspill — the body nodding,
Someone is troubled,
someone is trying,
in earnest, to explain;
to speak without
swallowing the tongue; to find the perfect
word among so few or the too many—
Sound of the breath
blown over the bottle,
sound of the reveler
home at dawn, light of
the sun a warbler yellow,
the sun in song-flight, lopsided-pose.
Be of good-cheer,
Stanley Plumly
Stanley Plumly, "Cheer" from Now That My Father Lies Down Beside Me: New and Selected Poems. Copyright © 2000 by Stanley Plumly.
Like the waxwings in the juniper,
a dozen at a time, divid- ed, paired,
passing the berries back and forth, and by night- fall, wobb- ling, piping, wounded with joy.
Or a party of redwings grazing what
falls—blossom and seed,
nutmeat and fruit—
made light in the head and
cut by the light,
swept from the ground,
carried downwind, taken....
falls—blossom and seed,
nutmeat and fruit—
made light in the head and
cut by the light,
swept from the ground,
carried downwind, taken....
It's called wing-rowing, the wing- burdened arms unbending, yielding, striking a balance,
walking the white
invisible line drawn
just ahead in the air,
first sign the slur,
the liquid notes too liquid, the heart in
the mouth melodious, too close, which starts
the chanting, the crooning, the long lyric
silences, the song of our undoing.
the mouth melodious, too close, which starts
the chanting, the crooning, the long lyric
silences, the song of our undoing.
It's called side-step, head- forward, raised- crown, flap-
and-glide- flight aggression, though courtship is
the object, affection the compulsion,
love the overspill — the body nodding,
still standing, ready to fly straight out of
itself—or its bill-tilt, wing-flash, topple-
over; wing-droop, bowing, tail-flick and drift; back-ruffle, wingspread,
quiver and soar.
itself—or its bill-tilt, wing-flash, topple-
over; wing-droop, bowing, tail-flick and drift; back-ruffle, wingspread,
quiver and soar.
Someone is troubled,
someone is trying,
in earnest, to explain;
to speak without
swallowing the tongue; to find the perfect
word among so few or the too many—
to sing like the thrush from
the deepest part
of the understory, territorial,
carnal, thorn-at-the-throat,
or flutelike
in order to make
one sobering sound.
the deepest part
of the understory, territorial,
carnal, thorn-at-the-throat,
or flutelike
in order to make
one sobering sound.
Sound of the breath
blown over the bottle,
sound of the reveler
home at dawn, light of
the sun a warbler yellow,
the sun in song-flight, lopsided-pose.
Be of good-cheer,
my father says, lifting his glass to greet a morning in which he's awake to be with the birds: or up all night in the sleep of the world, alive again, singing.
Stanley Plumly
Stanley Plumly, "Cheer" from Now That My Father Lies Down Beside Me: New and Selected Poems. Copyright © 2000 by Stanley Plumly.
Labels: daan hoeksema, e boyd smith, FREDERICK RICHARDSON, k nielson, keinen imao, okamoto kiichi, oskar laske, poetry, seitei (shotei) watanabe, stanley plumly, sui seki, theo van hoytema, Utamaro Kitagawa