![](http://photos1.blogger.com/blogger/4203/2017/200/Title-%20%09%20Sarah%20Bernhardt%2C%201901%20Artist-%20Paul%20Berthon.jpg)
david wondered at the artists of the day portraying dancers, loie fuller, josephine baker, in so much artwork. so what else is new? these are the superstars, the sex-goddesses. it was always thus. and here we are again with sarah bernhardt. and courtesans, the more combs and layers the better. whom other do we have without tv and rock videos?
![](http://photos1.blogger.com/blogger/4203/2017/200/sarah_bernhardt1.jpg)
![](http://photos1.blogger.com/blogger/4203/2017/200/Kunichika%20Toyohara18909.jpg)
some fascinating differences that i noticed, though. it was difficult to find any image of sarah bernhardt without her head held high. pride? arrogance? i think we'd probably be surprised to find her bowed.
![](http://photos1.blogger.com/blogger/4203/2017/200/sbvf.jpg)
![](http://photos1.blogger.com/blogger/4203/2017/200/utamaro.0.jpg)
but we find the geisha, the bijin, the courtesan-poets almost no other way.
beautiful woman in the west stands tall and smiles. beautiful woman in the east does neither. does this legacy hold? i doubt it. but this is what the artists recorded for several centuries in japan. it's hard for me to see it except through western eyes. what does it mean?
Labels: Chikanobu Toyohara, comment, fashion, Kunichika Toyohara, paul berthon, Utamaro Kitagawa, women
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hi, and thanks so much for stopping by. i spend all too much time thinking my own thoughts about this stuff, so please tell me yours. i thrive on the exchange!
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