another element from which we can imagine the line straight through to modern art is the 'outside the box' phenomenon.
by this i mean literally going outside the lines.
frames are made deliberately too small to fit the people in them.
as in the cases we've seen before, these are sometimes
framing strategies, or perhaps for emphasis' or design's sake.
perhaps hiroshige (or utamaro) was just sitting there one day and had a creative inspiration: why must this always look like that???
and found it didn't.
by this i mean literally going outside the lines.
frames are made deliberately too small to fit the people in them.
as in the cases we've seen before, these are sometimes
framing strategies, or perhaps for emphasis' or design's sake.
perhaps hiroshige (or utamaro) was just sitting there one day and had a creative inspiration: why must this always look like that???
and found it didn't.
Labels: georges defeure, hiroshige ando, isoda koryûsai, pierre bonnard, schnackenberg, structure, toulouse-lautrec, Utamaro Kitagawa
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hi, and thanks so much for stopping by. i spend all too much time thinking my own thoughts about this stuff, so please tell me yours. i thrive on the exchange!
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