


by this i mean literally going outside the lines.




framing strategies, or perhaps for emphasis' or design's sake.
perhaps hiroshige (or utamaro) was just sitting there one day and had a creative inspiration: why must this always look like that???
and found it didn't.
Labels: georges defeure, hiroshige ando, isoda koryûsai, pierre bonnard, schnackenberg, structure, toulouse-lautrec, Utamaro Kitagawa
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hi, and thanks so much for stopping by. i spend all too much time thinking my own thoughts about this stuff, so please tell me yours. i thrive on the exchange!
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