not fade away
Well love is love and not fade awayWell love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade awayWell love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade awayWell love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade awayWell love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Well love is love and not fade away
Labels: degas, grateful dead, hiroshige ando, poetry, toulouse-lautrec
posted by lotusgreen at 9:54 AM
3 Comments:
These half silhouettes are such a beautiful idea. Thank you.
thanks, florizelle. they're so rare in the west, it seems, so i was thrilled to find these. the one with her (but the hem of her kimono) behind a screen is a longtime favorite. it seems to define the essence.
I don't have the opportunity to see the film "Manet in love",but from Degas' painting, it seems that i can heard the piano sound by madame Manet,half silhouettes create very charismatic of imaginary space.
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hi, and thanks so much for stopping by. i spend all too much time thinking my own thoughts about this stuff, so please tell me yours. i thrive on the exchange!
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