
why do we in the west display flowers so differently from the styles of japan? why do we have nothing resembling
bonsai? given that all people are the same, why are we different?

why
bonsai and
ikebana in one land, and bursting armsfull in another? this is not a rhetorical question.

why ballet, why
butoh? or shakespeare or
kabuki or
no?

what role does the alphabet play? i've suggested before that calligraphy led easily to a simplified, focused art, but what of western capitals? in their straight lines, power? aggression?

is it the tendency of one-goddedness that's developed in the west v. a more diffuse worship? a separation between god and man v. an incorporation of all in all?

could it be the scientific method? the knowledge that the earth orbited the sun? a sense that the earth can be ruled v. the sense that what is, is? the process v. the outcome?

it is suggested that
ikebana started with the practice of giving flowers to the buddha. of
bonsai, it is said, "With Japan's adoption of many cultural trademarks of China,
bonsai was also taken up, introduced to Japan during the Kamakura period (1185 - 1333) by means of Zen Buddhism, which at this time was rapidly spreading around Asia.

The exact time is debatable, although it is possible that it had arrived in AD 1195 as there appears to be a reference to it in a Japanese scroll attributed to that period. Once
bonsai was introduced into Japan, the art was refined to an extent not yet approached in China. Over time, the simple trees were not just confined to the Buddhist monks and their monasteries, but also later were introduced to be representative of the aristocracy as a symbol of prestige and honour.

The ideals and philosophy of
bonsai were greatly changed over the years. For the Japanese,
bonsai represents a fusion of strong ancient beliefs with the Eastern philosophies of the harmony between man, the soul and nature."
1
and though perhaps only charles rennie mackintosh painted flowers in a manner resembling those in the japanese culture (no accident there), certainly no one could suggest that an armful of wild flowers was any less an act of worship too.
Labels: buddha, charles rennie mackintosh, chikushin shoji, duncan grant, gustave baumann, josephine siccard redl, lucia mathews, margaret jordan patterson, maurice denis, utagawa toyohiro