joy to the world

Jeremiah was a bullfrog
Was a good friend of mine
I never understood a single word he said
But I helped him a-drink his wine
And he always had some mighty fine wine
Singin'...

Joy to the world
All the boys and girls now
Joy to the fishes in the deep blue sea
Joy to you and me

If I were the king of the world
Tell you what I'd do
I'd throw away the cars and the bars in the world
Make sweet love to you
Sing it now...

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

You know I love the ladies
Love to have my fun
I'm a hot night flier and a rainbow rider
A straight shootin' son-of-a-gun
I said a straight shootin' son-of-a-gun

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the world
Joy to you and me

Joy to the world
All the boys and girls now
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

I wanna tell you
Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

(fading)
Joy to the world
All the boys and girls....

© 2008 Hoyt Axton, Three Dog Night

volland

all of this from one publisher, from the early part of the last century. there are varying stories about volland's history, but someone there was extraordinarily wise and very tuned in to the design pulse of the moment.

i don't think there were any other publishers who featured such undiluted japonisme on such a regular basis, and thank goodness for them.

illustrators featured:

maginel wright enright
janet laura scott
m t "penny" ross
johnny gruelle (of raggedy ann fame)
katharine sturges dodge

find the whole books for many of these (and many more) here. just do a search for 'volland' in the publisher space.

how we see water

"This is a seascape with Mt. Fuji. The waves form a frame through which we see Mt. Fuji.



Hokusai loved to depict water in motion: the foam of the wave is breaking into claws which grasp for the fishermen. The large wave forms a massive yin to the yang of empty space under it.

The impending crash of water brings tension into the paint- ing. In the foreground, a small peaked wave forms a miniature Mt. Fuji,

which is reflected hundreds of miles away in the enormous Mt. Fuji, which shrinks through pers- pective; the wavelet is larger than the mountain.

Instead of shoguns and nobility, we see tiny fishermen huddled into their sleek crafts; they slide down a seamount and dive straight into the wave to make it to the other side. The yin violence of Nature is dismissed by the yang relaxed confi- dence of expert fishermen. Oddly, though it's a sea storm, the sun is shining." 1