japonisme

27 June 2012

inevitable

inevitable. looking back across the 20th century, it seems that every movement in art history peels smoothly off the one before, uncurling itself as though new. but it's not; it's an inevitable step on the road, given that, expect this.

modern abstract art is inevitable, given the stripped-down shape-for-shape-sake of the bauhaus years. art had been making the dive into abstraction for decades, to the point where meaning and reference become moot: sheer existence. ("just dance! don't think!"1)

art deco into bauhaus is obviously inevitable: abstraction of shape into outline lent itself to form over fantasy. clearing out, clearing away to make way for the modern age in which everyone was too busy to think a wasted thought, or waste a single movement. the line was important then, which was inevitable.

and yes, i am simplifying, but i wouldn't want to fall behind the times! also bold were the times leading into the art deco moment. art nouveau was about that line, that curve, that color, that biological reference...

and art nouveau... that was not inevitable. yes, one could say it was preceded by impressionism, well, it was preceded by impressionism, but impressionism was more about an entire field whereas art nouveau and all of its inevitable followers were about one thing: the line.

to my eyes nothing whatsoever in anything that preceded the arrival of the east predicted what was to follow. the beginning of the line which was not to end. nothing in the tiny and drab patterns of western textiles hinted of the explosion that was to come. (nor predicted was the inspiration by a zionist art nouveau designer from galicia of a british-turned-american designer named louis rhead!)

it wasn't always a linear progression; some of the textiles of the deco stylists more resembled the japanese textiles than did their earlier counterparts. but was this exuberant jump to boldness predictable? i think not!

was the festoonization of clothing with flora and fauna an expected result of incoming culture? why should it be? not a chance! or was it to be expected that practically overnight color broke the color barrier? i pale just thinking of it.

that upper-crust drawing rooms might be thrilled to adorn their walls with spiders might have raised some eyebrows, but other than little miss muffet, everyone would have it no other way. for it was nature and color bursting from their wraps in the holds of the black ships arriving from japan.

and while japan likely viewed their latest fashions as being inevitable, given the season before, not a soul, i would bet, would have ever guessed that in the west they would inspire a series of inevitable progressions for decades and decades to come.

(check out MODA's new blog.)

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08 November 2011

reasons to believe

why have any religions at all? i can think of good and bad reasons. good includes socials and nice music. soaring, glorious music; what of the fact that soaring music encourages dissociation? is that the enduring state that all religion leads to?



now, yes-- all the religions are different; Buddhism and Catholicism couldn't be more different, could they? we are told that Buddhism doesn't even sanction believing in anyone. Buddha is not a godhead.





but they are the same in brandishing ritual and rules: anything to break you from everything you know. but from there, because that break may just be the best thing for you, don't they take you in exactly the opposition direction from where they claim to be leading you? to the truth?






we might say that the truth lies within you; then why do each of these rule that possibility out? a theory occurred to me yesterday. religion as panacea for a ubiquitous OCD. how few of us unfurl complete confi- dence every day? religion gives you an approving voice at all time, as long as you pay the dues. and raw energy is dispersed in endless, mindless ritual.


'opiate for the masses,' yes. "Religion is, indeed, the self-consciousness and self-esteem of man who has either not yet won through to himself, or has already lost himself again." temper this by the fact that it could also be zoloft or pel mells, or GTOs or viagra, or baked potatoes with sour cream: anything that tells you, in a very gentle voice, how okay you really are.

just think: if you really believed that, they could sell you nothing. nothing! not Lutheranism nor betty crocker nor anything else. and your terrors would all belong to you again, and
your salvation.

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