japonisme

14 January 2011

what they never told me....

AFFIRMATION

To grow old is to lose everything.
Aging, everybody knows it.
Even when we are young,
we glimpse it sometimes, and nod our heads
when a grandfather dies.
Then we row for years on the midsummer
pond, ignorant and content. But a marriage,
that began without harm, scatters
into debris on the shore,
and a friend from school drops
cold on a rocky strand.

If a new love carries us
past middle age, our wife will die
at her strongest and most beautiful.
New women come and go. All go.
The pretty lover who announces
that she is temporary
is temporary. The bold woman,
middle-aged against our old age,
sinks under an anxiety she cannot withstand.
Another friend of decades estranges himself
in words that pollute thirty years.

Let us stifle under mud at the pond's edge
and affirm that it is fitting
and delicious to lose everything.

Donald Hall

Copyright © 2002 by Donald Hall.
All rights reserved
.





• they never told me i would take up sewing, knitting, but i have.

• growing a beard??! i know for certain i have never heard of this! shave! regularly!

• forget what number on the crossword puzzle i'm working on

• fall


洗たくの婆々へ柳の夕なびき
sentaku no baba e yanagi no yû nabiki

to the old woman
doing laundry, the evening
willow bows

issa*


1824

.日本にとしをとるのがらくだかな
nippon ni toshi wo toru no ga raku da kana

growing a year older
in Japan
is a comfort


One of Issa's patriotic haiku. The season word in this haiku, toshitori, ("growing old") relates to the year's ending; in the traditional Japanese system for counting age, everyone gains a year on New Year's Day. Shinji Ogawa believes that Issa may be punning with the words raku da ("comfortable") and rakuda ("camel"). Viewed in this light, the haiku's tone is "childishly comical."*


• to me though, i'll admit, i prefer hall's interpretation: that as we lose what we've believed is important, we come to know ourselves.

• age finally gifts us with
what therapy did not.

• and we surely do love our animal friends.



*translation and interpretation of issa's work by david g lanoue

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26 June 2009

life is but a dream



NIGHT ON THE GREAT RIVER

Meng Hao-jan

Translated by Gary Snyder, Kenneth Rexroth and William Carlos Williams


I

Steering my little boat
towards a misty islet,
I watch the sun descend
while my sorrows grow:
In the vast night the sky hangs lower than the treetops,
But in the blue lake the moon is coming close.

translated by William Carlos Williams


II

Night on the Great River

We anchor the boat alongside a hazy island.
As the sun sets I am
overwhelmed with nostalgia.
The plain stretches away without limit.
The sky is just above the tree tops.
The river flows quietly by.
The moon comes down amongst men.

translated by Kenneth Rexroth


III

Mooring on Chien-te River


The boat rocks at anchor
by the misty island Sunset,
my loneliness comes again.
In these vast wilds the sky arches down to the trees.
In the clear river water, the moon draws near.

translated by Gary Snyder

Row, row, row your boat,









Gently down the stream.





Merrily, merrily, merrily, merrily,




Life is but a dream. 1

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04 January 2009

naked



AUGUST METEOR SHOWER

While they're here I hold them
like my breath.
They deepen the sky
like blood in my body,
I'm glad to offer







my body like this -- a small craft
over fields of water, where light can fall, be lost, be caught,
be held.
I'm naked in my chair,
facing the window.





If I were outside I'd want to look up
and see someone naked in every window.

I think we need
the difficult river, we need the absence of tenderness
so love can come like shooting stars
if it comes.

Ruth L. Schwartz







from Dear Good Naked Morning C 2005 Ruth L. Schwartz


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01 January 2009

on the first day




first, yes. i know this is the same song as yesterday. but it's the version i wanted off this very wonderful tribute to joseph spence cd that i have called "out on the rolling sea." since it's all music from the bahamas, i thought the singers were from there too. uh, nope. blue murder.

second-- i and hundreds, perhaps thousands, of folks here in berkeley followed our annual new year's day ritual: we went shopping for calendars at the pegasus bookstore annual calendar sale: 3 for $10! what a great lot of calendars i found there yesterday. now this one from the carl larsson calendar -- what is that pink thing??! in front of the lamp.

i also found one of 'impressionist photographers'! this gertrude kasebier is hanging on my wall at this moment, and if i lean my head just a little to the left i see her there.

while i was poking around in the piles and piles of calendars, i started talking with a woman about design. turns out her father did this, among numerous other WPA posters! one of my favorites! wouldn't it be cool if our obama puts artists to work as part of new deal redux?

now, a couple of days ago, you know, the one with the crescent moons, i had an image i was going to use till i suddenly remembered it was new, as opposed to the 100 years old that it looks.

his name is john martinez.

these are both images from a long series he did about operas.

look how amazingly he manages to meld jugendstil, art nouveau and other japonisme styles.

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