japonisme

14 July 2012

star to follow


KUBLA KHAN

In Xanadu did Kubla Khan
A stately pleasure-
dome decree:
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.

So twice five miles of fertile ground
With walls and towers were
girdled round:
And there were gardens bright
with sinuous rills,
Where blossomed many an
incense-bearing tree;
And here were forests ancient
as the hills,
Enfolding sunny spots of greenery.

But oh! that deep romantic
chasm which slanted
Down the green hill athwart a cedarn cover!
A savage place! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover!

And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick
pants were breathing,
A mighty fountain momently was forced:
Amid whose swift half-intermitted burst
Huge fragments vaulted
like rebounding hail,
Or chaffy grain beneath the thresher's flail:

And 'mid these dancing rocks at once and ever
It flung up momently the sacred river.
Five miles meandering with a mazy motion
Through wood and dale the sacred river ran,
Then reached the caverns measureless to man,
And sank in tumult to a lifeless ocean:
And 'mid this tumult Kubla heard from far
Ancestral voices prophesying war!

The shadow of the dome of pleasure
Floated midway on the waves;
Where was heard the mingled measure
From the fountain and the caves.
It was a miracle of rare device,
A sunny pleasure-dome with caves of ice!

A damsel with a dulcimer
In a vision once I saw:
It was an Abyssinian maid,
And on her dulcimer she played,
Singing of Mount Abora.
Could I revive within me
Her symphony and song,
To such a deep delight 'twould win me
That with music loud and long

I would build that dome in air,
That sunny dome! those caves of ice!
And all who heard should see them there,
And all should cry, Beware! Beware!
His flashing eyes, his floating hair!
Weave a circle round him thrice,
And close your eyes with holy dread,
For he on honey-dew hath fed
And drunk the milk of Paradise.

Samuel Taylor Coleridge

i offer you something more entertaining than sensible. just curious, though-- am i the only one around here that has a passion for print and pattern? not that i'd stop those posts, but y'all can be so quiet for so long!

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30 March 2009

carpe diem

speaking of fish....

Throughout Japan May 5 has a peculiar significance. This is indicated by the strange baglike fish banners seen floating from the flagstaffs, distended to their full size by the wind. The banners proclaim that some time during the preceding 12 months the stork has made a visit and left a small boy, and the friends of the family have greeted him with carp flags instead of flowers.

Judging from the numerous homes displaying these emblems, his storkship must have worked overtime. Various reasons are given why the carp, of which our goldfish is a variety, was chosen for this- purpose. On the occasions of large dinners, as an especial feature, a live carp is served on a board, each guest cutting a piece, which is afterwards eaten raw. The fish is said to endure the carving without a flinch, which makes him an emblem of bravery. His other qualification lies in his ability to swim a stream against the current, even to ascending a waterfall, symbolizing that he overcomes every obstacle. (national geographic 1911)

In Chinese legend, it was said that if a carp were to successfully surmount the Dragon Gate waterfall in the upper reaches of the Yellow River, it would be transformed into a dragon and ascend to heaven. In addition, the carp was always considered a dignified fish and from olden times it was proverbial that “a carp ascends waterfalls.” 2

CARPE DIEM

Age saw two quiet children
Go loving by at twilight,
He knew not whether homeward,
Or outward from the village,
Or (chimes were ringing) churchward,
He waited (they were strangers)
Till they were out of hearing
To bid them both be happy.
"Be happy, happy, happy,
And seize the day of pleasure."



The age-long theme is Age's.
'Twas Age imposed on poems
Their gather-roses burden
To warn against the danger
That overtaken lovers
From being overflooded
With happiness should have it.
And yet not know they have it.
But bid life seize the present?
It lives less in the present
Than in the future always,
And less in both together
Than in the past. The present
Is too much for the senses,
Too crowding, too confusing—
Too present to imagine.

Robert Frost

From The Poetry of Robert Frost edited by Edward Connery Lathem. Copyright © 1923, 1947, 1969 by Henry Holt and Company, copyright © 1942, 1951 by Robert Frost, copyright © 1970, 1975 by Lesley Frost Ballantine.

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12 April 2008

joy to the world

Jeremiah was a bullfrog
Was a good friend of mine
I never understood a single word he said
But I helped him a-drink his wine
And he always had some mighty fine wine
Singin'...

Joy to the world
All the boys and girls now
Joy to the fishes in the deep blue sea
Joy to you and me

If I were the king of the world
Tell you what I'd do
I'd throw away the cars and the bars in the world
Make sweet love to you
Sing it now...

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

You know I love the ladies
Love to have my fun
I'm a hot night flier and a rainbow rider
A straight shootin' son-of-a-gun
I said a straight shootin' son-of-a-gun

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the world
Joy to you and me

Joy to the world
All the boys and girls now
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

I wanna tell you
Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

Joy to the world
All the boys and girls
Joy to the fishes in the deep blue sea
Joy to you and me

(fading)
Joy to the world
All the boys and girls....

© 2008 Hoyt Axton, Three Dog Night

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05 November 2007

in honor of

Monday, November 5, 2007.

Monday
morning’s sky
features a beautiful
pairing
of the waning
crescent moon
and the
blazing planet
Venus at dawn. 1


Venus
and the moon
Will be matched to each other,
The parrot with sugar.
The most beautifully-faced Beloved
Makes a different kind of wedding every night.
rumi

.おぼろ月松出ぬけても出ぬけても

hazy moon in the pine--
passing through
passing through


.年よりや月を見るにもなむあみだ

growing old--
even while moon gazing
praising Buddha!

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10 October 2007

on imagist time

Imagism flourished in Britain and in the United States for a brief period that is generally considered to be somewhere between 1909 and 1917.


As part of the modernist movement, away from the sentimentality and moralizing tone of nineteenth-century Victorian poetry, imagist poets looked to many sources to help them create a new poetic expression.

For contemporary influences, the imagists studied the French symbolists, who were experimenting with free verse (vers libre), a verse form that used a cadence that mimicked natural speech rather than the accustomed rhythm of metrical feet, or lines.


Rules of rhyming were also considered nonessential.





The ancient form of Japanese haiku poetry influenced the imagists to focus on one simple image.





Greek and Roman classical poetry inspired some of the imagists to strive for a high quality of writing that would endure.



T. E. Hulme is credited with creating the philosophy that would give birth to the Imagism movement.




Although he wrote very little, his ideas inspired Ezra Pound to organize the new movement. Pound’s “In a Station of the Metro” is often given as one of the purest of his imagist poems.


Amy Lowell took over the leadership role of the imagists when Pound moved on to other modernist modes.




Her most anthologized poems include “Lilacs” and “Patterns.”





Other important imagist poets include Hilda Doolittle, whose poem “Sea Poppies” reflects the Japanese influence on her writing, and her “Oread” is often referred to as the most perfect imagist poem. 1



(some of the posts with imagist poems can be found here, here, here, and here.)

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09 August 2007

instant assemblage

(the following poem and images was assembled by an astonishing woman, imani. her discussion accompanying the poem is fascinating as well. she has clearly taken a lot of time and care with her choices; i, however, give you one or two from each post to which she linked. thank you.)

POEM

This beauty that I see

– the sun going down

scours the entangled

and lightly henna

withys and the wind









whips them as it


would ship a cloud –





is passing so swiftly









into night. A moon,


full and flat, and stars


a freight train passing


passing it is the sea




and not a train. This


beauty that collects


dry leaves in pools


and pockets and goes


freezingly, just able


still to swiftly flow


it goes, it goes.

--James Schuyler



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